Of the
three terms which comprise the title only cosmopolitanism existed in our
vocabulary even in the crudest of form if we were to go back by only thirty
years. It is only a sign of the fast pace of the world today that an oft –
repeated word like Globalization only came in to existence about twenty five
years back. Yet, these words are now topics of never ending discussions and innumerable
socio – politico – cultural theories and academic studies. The following, as
the title suggests is an examination of what these terms mean to or in the
lives of the Malayali Diaspora in the Arab nations. This particular choice is
based purely on personal interest and proximity to the same.
Globalization
and transnationalism are studied by academicians and theorists under different perspectives
and branches like anthropology, sociology, economics, and many others. The
study of these terms, like other phenomena before them seem to have struck a
wrong note somewhere.
It all
starts with the misplaced attributions of globalization policies solely to the
advancing technology and communication procedure. While they are not entirely
false, these attributions are made in the face of evidences that indicate that
globalization policies were what spurred this growth of communication in to its
present frenzied state. It was economics that designed the policies of
globalization. The search for newer markets was impossible with the existing
trade laws. National barriers and boundaries suddenly became not only
dispensable but if persisted with, a hindrance. Also broken were the
psychological barriers; a closer examination reveals that the concept of
‘citizen of the world’ emerged around this time. All with the single purpose of
reinvigorating sullen local markets by giving shape to a global market. The
cultural, social, and political implications studied under transnationalism and
cosmopolitanism is in truth born out of economic relationships between the
diaspora and the native communities. It is in this light that further attempts
to understand the chosen diaspora community will be made.
The
exodus of the Malayali community to the Arab nations had begun in the first
decade after independence and gathered steam over the next two decades. Indeed,
there existed trade relationships between Kerala and the Arab world as far back
as before Christ. A relative advancement in education, lack of job
opportunities, and economic insecurity – a mixture of
all caused
the first immigration. The wealth of Arab nations quickly changed the landscape
of the state of Kerala and the diaspora became one of the oldest Indian
communities settling in to relative permanence outside the country. Soon the
Arab world became an easy gateway for all looking to earn some fast money.
The
diaspora’s relationship with its mother – region has always been strong. This
can be explained by the members’ wish of eventually returning to their place of
birth. But this has not deterred the community from adopting their customs and
traditions to suit the laws of their place of residence. Globalization made
very little changes to the phenomena. Neither have the numbers been affected
nor the working relationships of this community with the natives there nor with
their kin in Kerala. But what globalization has done is increase the
competition that this Diaspora now faces from other communities who have since
then moved to the Arab nations.
The
contribution of this community to the art and literature has been immense over
the past two decades. It is an interesting scenario considering that there have
not been any notable artists from among them. As with most other things their
contribution has been through the capital that they
provide to sustain the production of the art forms. The Malayalam movie
industry was once known for its relative superiority compared to other regional
languages, the Diaspora had contributed by no small means to that. Movies and
Literature on their lives are plenty and the community has made its presence
known in the popular art culture of Kerala. Rather than in the mould of a classical notion of
patrons, these diasporic ‘patrons’ see art as a medium by which they earn name and fame, something that they otherwise would never have achieved. Their
economic power was only further demonstrated when mainstream Malayalam channels
opened station in those nations with programmes designed for them.
Transnationalism
in its strict sense does not apply to this Diaspora for they, like many foreign
communities reside in a state of limbo – indispensable as a workforce but never
assimilated in to the midst of the natives. But to their credit, the Malayali
Diaspora has transcended these difficulties as best as they can and have given
back to their parent community as no other Malayali Diasporas anywhere else.
Cosmopolitanism
is not a given anywhere in the world. Be what it may that you do, you tend to
stand out as a community when in a foreign land(at least in the present social atmosphere). The Arab countries are today
one of the safest places to work in terms of economic stability. This means
that communities have started growing closer and are much closer knit these
days. Cosmopolitanism remains a dream as of now, but it is not difficult to
imagine such a world in the foreseeable future. But as it remains there seems
to be no attempts at a cosmopolitan scenario. As for their identity they are
‘Gulf Malayalees’. Their Arabian adventure guarantees them money but nothing
more. It is their quest for this acceptance that has often formed their legacy.
(The article by no means claims scholarly affectations. These are pure observations that can stand corrected even with the smallest of empirical evidence against it)
(The article by no means claims scholarly affectations. These are pure observations that can stand corrected even with the smallest of empirical evidence against it)